Here’s a quick one — a sketch portrait of Ursula Andress as Vesper Lynd in the technicolor carnival that was the original Casino Royale. The one where Peter Sellars seduces her behind the fish tank. When I cut the painting I had accidentally done it in almost the exact aspect ratio of TODD-AO, hence the title. Best to click, it’s a long one, so it shrinks tiny. Cheers
A quick session sketch of a Sam Haskins photo / the Jill St. John attribution is just wishful thinking. Naz Dorolvya!
I was upstate recently, visiting family HQ, and while combing though the bookshelves I found these beautiful music sheets for Scott Joplin’s ragtime classic The Entertainer (you know, the opening credits to “The Sting” – and the infernal refrain from a million confounded ice cream trucks…) I especially love the sheer Apple ][-ishness of the Dan Coates version. And it does get me thinking about how much great 70’s design I must have marinated in at the time, scarcely aware. (Incidentally, it also occurs to me now that my piano teacher at the time had a white long haired cat that looked exactly like Ernst Stavro Blofeld’s cat and that during instruction, it too occasionally sat in his lap. Hurm… go figure.)
Macario Gomez, Spanish 39×27, 1963
Boris Grinsson, French 63×47. 1963
Averardo Ciriello, Italian 79×55, 1965
Robert McGinnis, British 30×20, 1971
Robert McGinnis, British unused art, 1971