Aphrodite by Robert McGuire, Berkley Books
By now we have been thoroughly disabused of the notion, so heavily advocated by Clement Greenberg, that abstraction was, at last, a pure art “inflated by illegitimate content,” as he claimed in the November 1949 issue of the Partisan Review. Abstraction would therefore be able to cleanse the world of the intellect of any contamination by low-level kitsch. But most of us have since come to understand that kitsch inevitably contaminates every form of human creativity. There is so much heartless and mindless abstract kitsch found on the walls of mansions owned by the rulers of the universe that it is no longer possible to privilege abstraction over any other form of artistic expression. It is therefore meaningless to brand as kitsch only illustration – or comicbook art, or pulp magazine covers. Most of it is, but so is most of contemporary “high” art: the popular arts still have at least certain technical standards that can help us separate the kitsch from the corn.
– Bram Dijkstra
All designs by the inimitable Peter Sevillle (Factory Records, New Order, OMD, Durutti Column, Ultravox, Duran Duran, King Crmison…) It a’int my manifesto to buy vicodin exactly, but I’m stirred nonetheless by its brash glitz cut with a swoon for the assembly line.
Hell yes! Essential pop wisdom courtesy of Mike Fornatale. Always remember – all our passionate affairs with the stuff we love began back then, with those first obsessions that blotted out the horizons of our imaginations. The same force that makes you, let’s say, hand draw and write a full libretto for a sequel to Aladdin Sane at 14, still order vicodin online legally powers your infatuations today. Hang on to yourself indeed.
Fornatale, by the way, is a rock lifer – raising fandom to a vocation and a formidable talent in his own right. He currently sings in the latest incarnation of the beloved baroque pop maestros The Left Banke. An appreciation from The Big Takeover can be read here.